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Friday, February 22, 2013

Comic Reviews 2/23/12


REVIEWS

The comics reviewed are chosen by David not by THAT'S ENTERTAINMENT management
or staff. The opinions expressed are his alone. If you have an opposing view you
are welcome to respond to David directly by Email at the address above.


Title: UNCANNY X-MEN
Issue Number: 1
Title Story: The New Revolution
Publisher: Marvel
Writer: Brian Michael Bendis
Artist: Chris Bachalo
Inkers: Tim Townsend, Jaime Mendoza & Al Vey
Colors: Chris Bachalo
Letters: Joe Caramagna
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Super Hero


There are so many x-books coming and going it is hard to keep track of them all.
But seeing how this one is written by Bendis and I am enjoying THE ALL-NEW X-MEN
I knew I would be getting this one as well. And it certainly starts with a bang.
Agent Maria Hill is entering a S.H.I.E.L.D. holding cell to talk with a man who
just showed up and asked to talk to her. As a visual tease to the reader we do
not see the man's face. He is sitting in a chair with his back to us. The only
distinguishing feature is a baldhead. Which might lead some readers to believe
that this is a certain presumably dead prominent mutant.  We don't get to see if
that is a good guess until the very last page. The crux of this first issue is
the revelation that the face of the mutant revolution, Scott Summers, is not the
same man he was. This visitor is here to reveal some secrets about Cyclops and
his X-Men in the hope that Scott can be stopped before a real revolution begins.
Through some nifty technology we get to see what has gone by recently. In case
you don't know, Scott, Emma, Magneto, Magik and two new young mutants have been
going around the world finding people who are newly turned mutants to save them
from people who still fear the worst about the race. The flash back provided is
a somewhat typical scenario.  A young boy in San Diego suddenly manifests his
mutant ability. The crowd panics, the police show up and that is when Scott and
company show up to "rescue the kid. What they did not count on are the sentinels
that show up out of nowhere. The ensuing battle provides some very enlightening
insight into both Scott and Magneto. So we end up with a few mysteries.  Who
sent the Sentinels?  What has happened to Scott and Magneto?  And why is our
mystery guest giving S.H.I.E.L.D. the lowdown?  Well that last question,
including his identity is revealed at the end.  This looks to be more
interesting than I thought it would be. The element of a trusted mutant working
against the rest is not what I expected but it will provide some interesting
developments. I am not that excited about the art though. It is fine in
composition and layout but the people are out of proportion in places. This is
typically in long shots where we see two female onlookers for example whose legs
twice as long as their torsos, which is anatomically incorrect.  The faces
though are fine and the detail in the scenery and splash pages is superior. I
decided to follow just a few X-books with all this Marvel Now restart; the
Bendis books and X-FACTOR are my picks.

Title: BATMAN
Issue Number: 17
Title Story: The Punchline
Title Arc: Death of the Family
Publisher: DC
Creator: Bob Kane
Writer: Scott Snyder
Artist: Greg Capullo
Inker: Jonathan Glapion
Colors: FCO Plascencia
Letters: Richard Starkings and Jimmy Betancourt
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Super Hero


Possible Spoilers so beware!


This is the end of the Death of the Family arc and since it involves the Joker
it is aptly named "The Punchline", both as a reference to the character and as
the end of the story. In fact it has more significance than that. But I am
getting ahead of myself. Those who inferred that "Death of the Family" referred
to an actual death of a main character should look back and see that no one
involved ever implied that was the case, though it is a logical assumption. Now
if it was "Death IN the Family" you would have a case, but that was a different
story long ago. Full disclosure - I have not read the rest of the arc, just the
opening chapter but to Snyder's credit this final episode is not heavily
dependent on what has come before to be compelling reading on its face. So here
is what you find as the issue begins. Joker has the whole Bat family tied up in
chairs around a dinner table in the cave. They are all in costume and Bruce is
at the head. Around the table are Robin, Nightwing, Batgirl, Red Hood and Red
Robin but they all have sacks over their head. In front of each of them are
covered plates. Joker is bout to play his end game. And it involves a lot of
theatrics. Next Alfred shows up, not quit himself right now and obviously under
a drug-induced control. Everyone is here now and it is time for the big reveal.
As instructed Alfred lifts offs the sacks and we see that all their heads are
wrapped in blood-soaked bandages. Now all that needs to be done is to uncover
the plates.  Joker is about to play a very cruel joke, but then most of his
jokes are that way. This story sums up the entire arc, the ringer he has put
everyone through, the collateral damage of the innocents that die along the way.
It all was done to psychologically prepare all the players for this one scene.
But of course it is mostly directed at Bruce. And frankly it is not something
new. It is a familiar theme in many Batman stories - Joker and Batman are
opposite sides of the coin, they each exist because of the other. Batman cannot
kill the Joker because of who he is - or at least that is what he tells himself.
Joker would not kill Batman because he needs him. He would rather torment Bruce;
find ways to make him suffer. Everything he has done has lead to this final
scene - his punch line. He even has Bruce's chair rigged so that if he gets up
it will create the sparks that will ignite all the gasoline the others are
soaked in. He plans to terrorize them all by what the uncovered plates will
reveal and then either Bruce will react and set off the fire or Joker will just
drop a match.  That part of it is classic death trap stuff. I won't go into what
happens next, and there is a lot more. I mentioned how Joker is conditioning
them all. One of the things he wants to do is create a permanent effect on them
all. More to the point he wants to separate them from Bruce emotionally. There
is one reveal Bruce makes to Alfred that gets to the heart of Bruce's attitude
about Joker. But the real punch line is not the dinner table scenario but the
aftermath. The implication is that the family has been damaged and it will not
be the same again. Is this the death "of" the family? The ending is somewhat of
a downer and looking back on this on part of a longer story I found the tension
around what might happen next was more enjoyable than the actual point of the
story. It just seemed to be set up as a long multiple book event to get to the
speeches and soul searching of this final episode. I would not say it was
exceptional but it was worth reading. As always the visual presentation is
terrific. So as a one-issue sample this is the one issue you really need to know
what you need to know about the bigger story. And if you are looking for a major
event in the Batman family, maybe even a death, be sure to check out BATMAN INC.
#8 due to hit the racks next Wednesday.

Title: KATANA
Issue Number: 1
Title Story: Way of the Outsider
Publisher: DC
Creator: Mike W. Barr & Jim Aparo
Writer: Ann Nocenti
Artist: Alex Sanchez
Colors: Matt Yackey
Letters: Taylor Esposito
Cover Artist: David Finch
Price (USD): $2.99
Release Date: NOW ON SALE
Genre: Super Hero


In advance of the first issue of Justice League of America DC is showcasing one
of its members in her own series. I am not sure if Katana has appeared elsewhere
in the NEW 52 so far and this comic reads like she hasn't. Tatsu Toro is shown
arriving in a secluded section of Japantown in San Francisco. This will provide
her a base of operation and the apartment she rents has a basement area where
she can set up training apparatus for her extracurricular activities. She is the
owner of the Soultaker, a katana sword that carries the souls of those it has
killed, including her late husband, Maseo. She is haunted by his absence, but
even her undying love cannot explain the vivid dreams she has of making love
with their enemy Coil. Part of the reason she came to this area is to seek out a
particular woman - a tattooed girl who bears pictures all over her body as
punishment for her sins. She is exploited by an older woman who charges people
to see even a small portion of the illustrations. Katana is looking for answers
about the sword and its history. The counterpoint to these scenes is the attack
of her enemy in a park later. Earlier we learned that even in civilian clothing
she is armed with more than just the sword, strapped to her back and hidden by
outer garments. Her skill with these various weapons is demonstrated as the
attack begins and she systematically takes out one after the other leaving only
the leader, Coil, to fight. This series is part martial arts and part mystical
culture. The ongoing theme for now is who actually controls the sword - the
wielder or the souls within. Perhaps the sword itself is really in control.  We
are just starting to see a glimpse of Katana and no doubt future issues will go
into more of her past. For now it is merely background for what is happening. We
don't even know why Coil is attacking or why they are enemies. In fact from the
speech he makes he would let us believe he is trying to recruit Katana to join
the Sword Clan.  Only time will tell why he desires this when she only desires
his death. For as much information we are given in this opening chapter the
story is easy to follow. I particularly enjoy the art in style and execution.
This kind of story is really not the kind I seek out or enjoy long term.  It
will be interesting to see how she comes to be a member of the JLA when her
story seems so personal, not that of a crusader for justice or super heroics.
You won't need to read this to follow her participation in that book, but if you
like the character it will certainly provide more depth for you.

Title: SECRET AVENGERS
Issue Number: 1
Title Story: Budapest
Publisher: Marvel
Writer: Nick Spencer
Artist: Luke Ross
Colors: Matthew Wilson
Letters: Clayton Cowles
Cover Artists: Tomm Coker & Daniel Freedman
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Super Hero


The latest Marvel title to restart as part of the Marvel Now! Revolution is
SECRET AVENGERS. This is not a reboot or a change of the characters involved as
far as I can tell. The last volume told its story and now here is a new volume.
The thing about this title is that the writers can come up with any number of
characters with a minimal requirement that one or some of them are Avengers and
boom you have another Avengers title. The featured cast in this title is tied
into S.H.I.E.L.D. Hawkeye and Black Widow have been recruited by Agent Coulson.
At the beginning briefing he reveals they need our heroes services but due to
the sensitive nature of the first and upcoming operations they would necessarily
be implanted with certain technology to wipe memories. Well Hawkeye and the
Widow are not the type to readily agree to something like that but when Coulson
reveals certain classified details of the first mission, but not to the reader,
they eagerly agree to join up. There is a keyword that will activate the program
on the embedded chips. This will allow them to participate on missions with no
restriction to information. When it is over their knowledge of it all will be
wiped clean. If they get caught or go rogue, the knowledge will be wiped clean.
Afterward they will not miss the time they spent in the field, they just won't
remember any of it.  So that is the gimmick involved here. Director Hill gives
them their missions and the black Nick Fury (his real name is Marcus and he is
Nick's son) is also involved. Their first mission involves a Hungarian arms
dealer named Andras Bertesy. He also dabbles in human and drug trafficking but
the major threat he poses involves mastery of certain dark arts. Nick has gotten
word that he plans on selling certain darkforce dimension energies to an Al
Qaeda cell and the team needs to stop him. Through the course of the mission we
will see the whole memory chip thing in action. In fact the plot is structured
in a clever way to highlight how well it works before we even know about it. And
the underlying theme is that the two main operatives are the best for the job
but they will work better long term if they do not know certain things that they
do or that are done to them. It remains to be seen if that premise will come
back to bite Hill in the future. I am not as fond of the Marvel espionage type
stories as I am the more traditional super hero story. Slapping the Avenger
label on this one may draw in some Avengers fans initially or for the long term.
To its credit it is well written and illustrated. It is just not something I
want to continue with long term. Your opinion may be otherwise.

Title: GHOSTBUSTERS
Issue Number: 1
Publisher: IDW
Writer: Erik Burnham
Artist: Dan Schoening
Colors: Luis Antonio Delgado & Andrew Harmon
Letters: Neil Uyetake
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Humor/Supernatural





IDW has started a new volume in the GHOSTBUSTERS series with a new cast. Well,
they are not exactly all new characters but they are not the original team.  In
a brief recap text we learn that the original four busters have been abducted
and New York is still being plagued by ghosts here and there.  The first one to
vanish was Peter Venkman who has struck up a friendship with FBI Special Agent
Melanie Ortiz while the guys were working on a job in New Mexico. While she is
visiting Peter in New York a ghost with a not too subtle resemblance to Peter
appears and sucks Peter into another dimension with its own ghostly equipment -
as if the tables are turned and ghosts are catching Ghostbusters. Sure enough
one by one the other guys are snatched and dropped into some kind of limbo. When
we jump in time three months we find the Agent Ortiz working with Janine Melnitz
who has been the support staff for the Ghostbusters and Kylie Griffin who is a
mystical researcher and often consultant to the guys. Agent Ortiz has been put
on leave since Peter's abduction and has join the others to try and find the
guys. In the meantime a client has asked for their help with a ghost and so they
reluctantly try their hand at ghost busting. While they are successful they draw
the attention of the mayor and others in city government who begin to ponder
what to do with the girls who were clearly operating without their approval. On
the one hand complaints about rising ghost activity have been mounting putting
pressure on the mayor to do something. One of his staff feels he should recruit
from the ranks of the police and FDNY to form a sanctioned ghostbuster unit. His
other advisor lays out a plan to sanction the girls as city authorized.  The
original equipment is the best available and stored so as to self-destruct if
anyone but the current crew access it. The icing on the cake is his suggestion
that the city will be the one to hold the licenses on merchandise and imagery
connected to the New Ghostbusters.  He also has a plan to recruit an expert on
the kind of tech used by the group since the girls do not have the expertise to
maintain it. This person is Ron Alexander who at one time adopted his own proton
packs with stolen schematics and opened his own paranormal elimination service.
That effort did not go too well and he ended up in a minimum-security prison.
The girls will be presented with a proposition - accept Alexander as their tech
guy as well as a city liaison, cooperate with the city on case priorities and
public appearances or be prosecuted for their recent activities. Meanwhile the
original team has ended up in a limbo dimension. The scenes here are nothing
more than them finding each other, realizing they have no idea where they are or
how to get out, and trying come up with a plan of action.  So this first issue,
as many are, is just the set up to get things going next time.  The New
Ghostbusters will be the city's new team to eliminate paranormal threats pretty
much against their will while they try to find time to figure out how to rescue
the original team. The art is well executed in a unique style that adds a little
bit of a cartoonish look but works. The characters are interesting though the
action this issue is limited. It looks like a fun series though the humor is
mostly subtle than laugh out loud. As a bonus there is a two-page feature that
begins to explain what happens to all the ghosts once they have been caught. At
two pages it will take a while to explain it all but it should peak the interest
of the fans.

Title: THE WALKING DEAD: THE GOVERNOR SPECIAL
Issue Number: 1
Publisher: Image
Creator: Robert Kirkman
Writer: Robert Kirkman
Artist: Charlie Adlard
Gray Tones: Cliff Rathburn
Letters: Rus Wooton
Price (USD): $2.99
Release Date: NOW ON SALE
Genre: Horror
Previously published in THE WALKING DEAD #27 & CBLDF LIBERTY ANNUAL


I must tell you up front I am one of those few comic fans that do not read
WALKING DEAD regularly.  I am a fan of the TV show and have read a few issues in
the past.  This special gave me an opportunity to sample it again and compare
comic continuity with what is happening on the TV show. As you will note this
book consists of reprinted material. The first part already appeared in the
CBLDF's Liberty Annual and I briefly reviewed it in the past. That short story
reveals how the Governor originally obtained those fish tanks he uses to hold
severed heads. As he is setting them up in his apartment he is explaining to the
man who is helping him why he is going to have this visible reminder of the
horrors of the world in his home and how he is going to start his collection.
Though brief it highlights his determination and ruthlessness. The second story
is from an issue early on in the series and shows how the TV continuity departed
from the comic story. It starts with Rick, Glenn and Michonne investigating a
helicopter crash. The evidence is clear that someone else made it to the crash
before them and took the victims, or survivors away in at least one vehicle. 
The prospect of finding other survivors is enough for Rick and Michonne to
convince Glenn that rather than return to the prison they should follow the
tracks in an effort to find the other humans, even though they will be traveling
at night. Meanwhile back in the prison the others, including the pregnant Lori,
have come to realize the trio will be late or may not show up until the next
day. As they settle down for the night there are scenes among the various
characters that shows how well or not they have adjusted to their new life here. 
Of course the trail leads to Woodbury and the three will just walk right up to
the front gate and get their first look at life under the Governor - something
they could not have imagined.  While this is called THE GOVERNOR SPECIAL he is
more of a supporting character in this second segment. Since it is a reprint I
believe this story was chosen more to show latecomers to the series, and just
casual fans like myself, the actual first appearance of the character and the
town of Woodbury. In both stories he is more overtly ruthless and frank about
his plans than in the TV show. Regular readers may want this just to have the
opening story in their collection under a series title special rather than as
part of a larger anthology. Whatever the case I found it interesting and I am
sure it will sell very well.

                                    *****
TRIVIA CONTEST!!!!     WIN REAL PRIZES!!!!!


If you think you know the answer to the trivia question send your guess via
Email to me at ComicBkNet@aol.com and you could win the prize. The first six
correct answers will be assigned a number and a roll of the dice will determine
the winner. You should put your real name in your message so we know who you
are. Prizes must be claimed at our store within 30 days of winning. The prize
will be a $10 credit slip, which will be redeemable for merchandise at regular
retail or in-store ongoing specials only.  Only one prize per person will be
allowed per every 4 weeks. I will be the sole judge of the correct answer even
if more than one answer could be correct. Submit only one answer per Email
please but guess as often as you like.

Last week's trivia question:
Aragorn is a major character in Tolkien's Lord of the Rings trilogy. The name is
also that of which Marvel character?


Aragorn is the winged steed ridden by Black Knight and Valkyrie. The winner by
the dice roll is Mike Dooley.

Here was your no prize question:
What is the best-selling movie soundtrack of all time?


"The Bodyguard" soundtrack went 17 times platinum in the US and sold 45 million
copies worldwide. It spent 20 non-consecutive weeks at #1 on the Billboard Top
200 and remains the highest-selling soundtrack album of all time. Its lead
single "I Will Always Love You" became the best-selling single by a female
artist in music history.

THIS WEEK'S TRIVIA QUESTION:
In the old series, who replaced Sinestro as Green Lantern?


Here is your no prize question:
What did Percy Spencer invent in 1945?


Folks, you never know who among the readers is knowledgeable about the question
so don't hesitate to send in an answer - even days after it appears.

Thursday, February 14, 2013

Comic Reviews 2/14/13


REVIEWS

The comics reviewed are chosen by David not by THAT'S ENTERTAINMENT management
or staff. The opinions expressed are his alone. If you have an opposing view you
are welcome to respond to David directly by Email at the address above.


Title: RED TEAM
Issue Number: 1
Title Story: The First-Timers
Publisher: Dynamite Entertainment
Writer: Garth Ennis
Artist: Craig Cermak
Colors: Adriano Lucas
Letters: Rob Steen
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Crime
Mature - Comics on the Edge




This comic is all about an elite squad of police detectives who are the best at
what they do. They are the Major Crimes Unit Red Team. The story is narrated by
one of the members, Detective Mellinger, as he tells it to another cop in the
interrogation room.  Right up front Ennis lets you know that the team has
crossed the line and Mellinger is going to explain it all. He starts out by
calmly stating that eight months ago he and his team decided to kill a suspect.
They plotted it. Some, particularly Mellinger, wrestled with the implications
both legal and moral and then they executed their plan. As a result, the worst
possible thing happened, according to Mellinger.  That is the gist of this first
issue. As the plot goes along you meet the members of the team discussing the
reasons why they need to kill this man. He is one of those bad guys involved in
a lot of things and never close enough to the action to have evidence against
him. The latest thing is a dead cop. Now that he is getting away with killing a
fellow detective the team has had enough. There are some scenes showing the
leader interacting with another team leader in the Captains office. It gives us
perspective on how things work behind the scenes. And of course since Mellinger
is narrating after the fact we get to see the planning and the carrying out of
the deed. At the end of the issue Mellinger reveals why he said, "the worst
possible thing happened." That revelation leads into where the story might go
from here. I really like the classic crime theme and the tight script taking us
step by step to where Ennis wants things to go. You get a good feel for the team
dynamic and solidarity. The art fits well with this tale with a terrific
coloring job that polishes it off. When Ennis gets away from trying to shock you
more than he did the last time and just tell a good story his work is some of
the best. This one is no exception.

Title: SNAPSHOT
Issue Number: 1 (of 4)
Publisher: Image
Writer: Andy Diggle
Artist: Jock
Letters: Clem Robins
Price (USD): $2.99
Release Date: NOW ON SALE
Genre: Crime Mystery - Black & White
Mature - Comics on the Edge






Let's start on the art on this one. I really am a fan of black & white comics
when the art is well done. Often it is the best way to depict a mystery or crime
drama setting the mood with shading or perspective or just proper contrast. I
think Jock understands this and excels at making the visuals complement the
dialogue to tell the rest of the story. The story itself is about a young
employee of a comic book store in San Francisco. The adventure of his life will
begin on his way to open the store one September while the boss is away on
vacation. Riding his bike through Golden Gate Park he happens on an abandoned
telephone. It is only later at the store that he explores the phone and finds
disturbing photos of a man shot several times and with a severed left pinky
finger. Clearly this phone was not just thrown away and someone should be
looking for it. You would think our hero Jake Dobson would realize that when it
suddenly rings. He is going to be involved in a plot that takes more than one
unexpected turn along the way. His first thought is to meet the person calling
then maybe the police is a better idea. When the dead man shows up at the
precinct, with that pinky bandaged up, he seems to have logical explanations for
everything. But why did that other guy show up at the comic store earlier with a
gun he clearly was going to use if Jake had not slipped out. The mystery deepens
and Jake will turn to his buddy Steve for consolation and advice. That may be a
fatal mistake when we see the shocking last few pages.  I like comics involving
mysteries because they are a challenge to guess what comes next. If you read
enough of them you get pretty good at it.  For instance I knew the guy who
called the found phone saying he was a cop would not really be a cop. I did not
expect the dead man to show up though. And I certainly did not expect the two
big turns at the end. I have no idea what will happen next but I am hooked. 
This is a terrific comic. If you like the genre, definitely get this one.

Title: SON OF MERLIN
Issue Number: 1 (of 5)
Publisher: Image/Top Cow
Writer: Robert Place Napton
Artist: Zid
Letters: Troy Peteri
Price (USD): $1.00
Release Date: NOW ON SALE
Genre: Myth and Supernatural







Sometimes just the title of a comic can give you a good idea what it is about.
If you combine that with a bit of information on the cover you have further
insight. I looked at this one on the rack and figure it was yet another take on
the Arthurian legend set in modern day - no doubt about some descendant of the
mystic of Camelot. Sure enough the lead character is Simon Ambrose later to be
revealed as the bastard son of Merlin who apparently has lived a very long time.
But so has his arch nemesis, Morgana LeFay. They are the last survivors of a
magical Celtic sect known as Druids. Their conflict is an eternal one of good
versus evil. She is on a quest to destroy mankind while he works for the cause
of peace. Evidently their duel has gone on for ages and has brought them to
modern day New York where Merlin is unable to escape her latest trap and so he
helps his apprentice Gwen (hmmm. why not just come right out and call her
Guinevere?) escape while sending his magical book off to find his heir. Simon is
a brilliant young scientist, the youngest professor at MIT, who has no idea what
he is about to become involved in. Morgana is secure in this time period with
her own corporate identity, but still casting spells using the ancient methods.
She will try to locate Merlin's book and with it finally achieve her ultimate
goal. It will be up to Gwen to convince Simon that magic is real and he needs to
take on the centuries old contest or mankind is doomed.  While the details of
the plot are laid down pretty openly it sort of takes away from any mystery that
could be introduced. I mean it is pretty much the battle Merlin has fought for
ages, it is now our time and he has passed the torch to another to fight the
evil witch. Maybe because this first issue has to set it all up first is the
reason I am not thrilled with this comic. The art is so-so in my opinion. In
fact it reminds me of some of the comics I have read from Radical comics - it is
a painted style with a mix of some pretty decent coloring on the magic effects.
I think the theme here is the man of science being reluctantly drawn into the
world of magic. How he reacts and whether he can be successful will come next. 
I think that second issue will be the one that decides if the series is worth
five issues.

Title: FEARLESS DEFENDERS
Issue Number: 1
Publisher: Marvel
Writer: Cullen Bunn
Artist: Will Sliney
Colors: Veronica Gandini
Letters: Clayton Cowles
Price (USD): $2.99
Release Date: NOW ON SALE
Genre: Super Hero






Marvel has resurrected another old title with a new group of characters
attached. In this case it is the DEFENDERS. As you can see from the cover the
initial members are Valkyrie, the Asgardian Shieldmaiden and Misty Knight, the
private detective with bionic parts. The first issue serves to bring these two
together on a mutual quest. Along for the ride is a civilian, Dr. Annabelle
Riggs who is an archeologist. It begins with Misty working for Annabelle to
retrieve an ancient artifact from smugglers on a ship in the North Atlantic
Ocean. It appears to be a fool's errand since she is a lone stowaway among many
armed crewmen. But our girl is very resourceful. Just when she has gotten the
upper hand others arrive via helicopter, a mysterious Ms. LeFay and her men, who
force Misty to abandon ship with only a small statue while they take the main
prize, a much larger artifact. How she survived the freezing waters and ended up
the next day in Oklahoma at Annabelle's current dig excavating a massive Viking
gravesite is not revealed - a major plot hole in my opinion. The small statue is
still a big prize and when Annabelle manipulates the base it gives off strange
sounds that literally wakes the dead. As Misty begins fighting the dead Vikings
Valkyrie shows up, summoned by the strange sounds. This all leads to Valkyrie
revealing the significance of the events and the danger involve in that large
statue. So the three will be off on an adventure and we are left wondering what
comes next. I have mixed feelings about this comic. I already mentioned the way
Misty managed to escape death in the frigid Atlantic without even an editorial
mention of how she did it. The premise is decent enough to begin the plot but
another scene between Annabelle and Valkyrie seems out of place, maybe even
gratuitous. We shall see. Maybe Annabelle herself will gain some kind of power,
maybe not. Maybe others will join the group, though I have not researched future
solicitations to see if that is the case. The art is decent and I have an
affinity for Misty though I have preferred her depiction in the wonderful series
"HERO FOR HIRE" more appealing. It remains to be seen if this series will take
off. It is always best to give it a few issues before judging its worth.

Title: AVENGERS ASSEMBLE ANNUAL
Issue Number: 1
Title Story: Company Man
Publisher: Marvel
Writer: Christos Gage
Artists: Tomm Coker w/ Mike Mayhew, Mike Deodato, Luke Ross & Valentine De
Landro
Colors: Daniel Freedman
Letters: Clayton Cowles
Cover Artist: Coker & Freeman
Price (USD): $4.99
Release Date: NOW ON SALE
Genre: Super Hero


I have not been following the AVENGERS ASSEMBLE title. When I saw this annual
written by Christos Gage I decided to check it out. Thankfully the story here is
not entirely connected to the ongoing story but deals with Vision and his
current place in the Marvel Universe. There is a decent recap on the opening
page that goes over most of the highlights in his past. Created by Ultron he
overcame his villainous origins and eventually joined the Avengers. He fell in
love with Wanda Maximoff and they eventually married and had two children,
Thomas and William but that was later revealed to be a magic induced hoax. The
children were lost, the two parted ways and Wanda went mad. Yada, yada, yada -
the Vision was destroyed and only recently he was reassembled. This story
explores how he is coping with being whole again, wondering about his humanity
and whether he is really whole again. At the start of the story he is not ready
to accept that Tommy and Billy of the Young Avengers contain the souls of his
lost children, revealing to Captain Marvel that he still believes those children
were a lie perpetrated by the Scarlett Witch. The story also touches on the
strained relationship he has with his fellow Avenger, Wanda's brother Pietro.
But this comic can't be about relationships and so the main plot deals with a
former employee of Roxxon who gained incredible power but recently learned he
will eventually die from it. He is now on a vendetta to destroy all of Roxxon
and anyone connected to it. This provides the action sequences involving the
rest of the Avengers with Vision eventually employing a different tactic to stop
the destruction. But before that he is conflicted by the Avengers willingness to
help the man so bent on vengeance when he, their friend and ally, was left
disassembled for so long. The problem is eventually resolved and through it
Vision comes to terms with his internal conflict and even his relationships with
others. It is a well-structured script, as you would expect from our friend Mr.
Gage. The art is good enough though nothing spectacular. It has a very
satisfying ending and is worth buying for its own sake. 


Title: YOUNG ROMANCE: THE NEW 52 VALENTINE'S DAY SPECIAL
Issue Number: 1-Shot
Publisher: DC
Price (USD): $7.99
Release Date: NOW ON SALE
Genre: Super Hero Romance









Just in time for Valentine's Day, though not for purposes of a timely review
that will be posted after Valentine's Day, DC has put out this oversized 64-page
anthology of love stories involving characters in the NEW 52 DC Universe.  The
six couples chosen are a good mix of characters and each story has a unique take
on the power of love.

Batman & Catwoman in "Think It Through" by Ann Nocenti, Emanuela Lupacchino and
Jamie Mendoza. This story is supposedly the first meeting of the Caped Crusader
and the feline burglar. Catwoman tells it in retrospect as she ponders the
results of her latest caper. She was working with another man stealing
repossessed goods where they are being stored. Batman interrupts and eventually
he delivers a lecture that she regrets not taking to heart. It is about the
sadness of what might have been.

Aquaman & Mera in "The Lighthouse" by Cecil Castellucci & Inaki Miranda
In this tale Arthur and Mera are preparing the lighthouse against an oncoming
storm. Mera comes across some very old letters that tell the tale of the
daughter of the original keeper of the lighthouse. She fell in love with a
sailor and her father disapproved of the relationship. Alas, she was doomed to
await the return of her lover from the sea. Her story is revealed in love
letters from her and him and the eventual fate of the two is dealt with. It is a
touching story and it brings Arthur and Mera closer together.

Batgirl in "Dreamer" by Ray Fawkes & Julius Gopez
This is a somewhat whimsical tale about a former snitch that was once saved by
Batgirl and now pines for her. When he devises a unique way for her to find him
he confesses his dream of the two of them - something that can never be. In the
end Barbara shows him compassion and lets him down easy, though he still has
hopes that one day she may find it in her to approach him in her secret identity
and strike up a friendship that way. This was an unexpected gem of a story told
with a bit of humor and it has some surprising moments.

Apollo & Midnighter in "Seoul Brothers" by Peter Milligan & Simon Bisley
For those not in the know, the two characters are members of Stormwatch, the
secret organization that protects Earth from major threats. They are also both
gay and in past incarnation have been lovers. After the NEW 52 reboot their
relationship has started again though it is not as advanced as before. The story
take place in South Korea, hence the title, As Apollo is looking for Midnighter
who is on a mission of his own in the area. Now Midnighter is a ruthless version
of Batman and when Apollo tracks him down this is once again made very clear.
This story points out the clear difference in Midnighter's philosophy versus the
Superman altruism of Apollo. Is this a break up or just an airing of the truth
that can be worked around?  It is up to us to decide. I did not care much for
the art in this one but the story was decent.

Nightwing & Ursa Minor in "Another Saturday Night" by Kyle Higgins & Sanford
Greene. I am not a follower of Nightwing so if this is in sync with current
continuity he does not have a current main squeeze. We begin with him basically
getting dumped, that is his alter ego does, over the phone because he has
difficulty keeping dates when duty calls. As this is happening he jumps into an
apparent abduction attempt where a very capable bodyguard that goes by the name
Ursa is defending the victim. She overhears Nightwing's side of the conversation
and after the client is safe they enjoy some Chinese takeout on the rooftop
together and it seems they may be striking up a friendship that could lead to
more. This is the kind of episode that could be included in his regular title
and who knows, maybe Ursa will show up there as well. It is a nice tale with a
bittersweet ending though.


Superman & Wonder Woman in "Truth or Dare" by Andy Diggle, Robson Rocha & Julio
Ferreira. Saving the cover couple for last we find Clark and Diana on a date at
an outdoor restaurant in Tuscany. The conversation turns to family and the
differences between's Clark's secret life with a loving family and Diana's
because she until now (in the NEW 52) never had to hide her identity. Her
"family" of demigods sometimes are not the best of role models. Even her cousin
Eros who suggested the place where they are eating has an ulterior motive as we
see very shortly. But in the end it is Eros who is under a spell and of course
the budding love between Kryptonian and Amazonian perseveres. It is a clever
short story that at least for now keeps the couple together. At the end we are
advised to see further developments in SUPERMAN #19.

But wait, there's more!

This week's DC comics also feature the first installment of Channel 52, a two-
page blurb set as a cable TV newscast with bits and pieces of things going on in
the DC Universe. I imagine it is meant to tease highlights of various comics you
may not be reading. It is fun and clever with nice visual appeal.

Finally as a bonus you get 18 valentines that are on two perforated pages bound
into the center of the comic. Each one features a character with a clever phrase
like Jonah Hex saying, "You put a hex on me" or Shazam saying, "Say the magic
word and I'm yours."  They are all neat and ready to tear out and give to
eighteen of your closest friends. But by the time you read this they would be a
bit belated. Maybe you can just hang onto them until next year. After all, love
is timeless.


                                    *****
TRIVIA CONTEST!!!!     WIN REAL PRIZES!!!!!


If you think you know the answer to the trivia question send your guess via
Email to me at ComicBkNet@aol.com and you could win the prize. The first six
correct answers will be assigned a number and a roll of the dice will determine
the winner. You should put your real name in your message so we know who you
are. Prizes must be claimed at our store within 30 days of winning. The prize
will be a $10 credit slip, which will be redeemable for merchandise at regular
retail or in-store ongoing specials only.  Only one prize per person will be
allowed per every 4 weeks. I will be the sole judge of the correct answer even
if more than one answer could be correct. Submit only one answer per Email
please but guess as often as you like.

Last week's trivia question:
Another Comic Book Character's first words question.  Who said:
"But Hank, joining a counter demonstration isn't going to accomplish anything! 
All you're going to do is make trouble."

These were the first words of Don Hall, the Dove half of HAWK & DOVE. The winner
by the dice is Jim Woodruff.

Here was your no prize question:
Among the major cities in the United States which is the windiest city?

Boston takes the honors with an annual average wind speed of 12.4 MPH.

THIS WEEK'S TRIVIA QUESTION:
Aragorn is a major character in Tolkien's Lord of the Rings trilogy. The name is
also that of which Marvel character?

Here is your no prize question:
What is the best-selling movie soundtrack of all time?


Folks, you never know who among the readers is knowledgeable about the question
so don't hesitate to send in an answer - even days after it appears.

Friday, February 8, 2013

Comic Reviews 2/8/12





The comics reviewed are chosen by David not by THAT'S ENTERTAINMENT management 
or staff. The opinions expressed are his alone. If you have an opposing view you 
are welcome to respond to David directly by Email at the address above.


Title: BATMAN AND ROBIN ANNUAL
Issue Number: 1
Title Story: Batman Impossible
Publisher: DC
Creator: Bob Kane
Writer: Peter J. Tomasi
Artist: Ardian Syaf
Inker: Vicente Cifuentes
Colors: John Kalisz
Letters: Carlos M. Mangual
Cover Artist: Andy Kubert with Brad Anderson
Price (USD): $4.99
Release Date: NOW ON SALE
Genre: Super Hero


This Annual appealed to me because it is not tied into the whole Death of the 
Family story arc. Plus the cover illustration with Damian dressed in a Batman 
outfit intrigued me. Bruce awakens after a night of doing the Batman thing to 
find his bags are packed for travel with Alfred on the jet. It seems Damian has 
left strict instructions that they be over International waters before he 
reveals why. Surprisingly Bruce is willing to go along with this because he 
feels Damian has been trying hard to engage Bruce and he does not want to hamper 
that effort. The video he left reveals that he is sending them on a scavenger 
hunt. The purpose was twofold. In putting it together Damian learned more about 
the family he now belongs to and he wants Bruce to reconnect with things he 
usually does not have time for. Supposedly he is traveling a step ahead of them 
as they head for London, their first stop. He will be moving on to the next 
location before they get there. In reality, he is still in Gotham, unknown to 
Bruce and Alfred. This is an attempt to reach out to his father on a more 
personal level while at the same time to prove himself on his own at home. The 
two plots move independently from each other. At each stop in Europe Bruce finds 
things related to his parents. He finds a painting done by his mother hanging in 
a London hotel, a honeymoon photo location in Barcelona, a marriage proposal 
etched in stone in Greece. Meanwhile Damian gets involved in a mystery in the 
city. Some one stole gas at a local gas station by chewing off the nozzle at the 
pump. Through the course of Bruce's travel Damian patrols as Batman, with side 
adventures against common criminals, to get to the person or thing behind the 
plot and put an end to it. The final reunion with his father is something they 
both enjoy. It is a wonderful story and helps to move their relationship closer. 
The art team does a wonderful job in bringing it to the page. If you like to 
read Batman stories that stand on their own this is a good one, if not a 
conventional one.

Title: INJUSTICE GODS AMONG US
Issue Number: 1
Title Story: Part One
Publisher: DC
Writer: Tom Taylor
Artists: Jheremy Raapack, Mike S. Miller and Axel Gimenez
Inkers: Jheremy Raapack, Mike S. Miller and Narg Deering
Colors: Andrew Elder
Letters: Wes Abbott
Cover Artist: Jheremy Raapack and Tony Avina
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Super Hero - Video Game Prequel



On the credits page there is a note that this story takes place before the start 
of the game. The game is the upcoming video game for multiple platforms 
involving several members of the Justice League and their enemies. This comic 
acts as a back-story for the game and might be of interest to those planning on 
buying it. For the rest of us it is a good "Elseworld" type story where 
continuity follows a different path than it does in the New 52. The one-page 
intro has Batman perched on a gargoyle above Gotham pondering what has happened 
in the last five years. This night there is no crime, no gunshots, no cries in 
the darkness, no wailing sirens. It is the silence of fear, for the world is now 
ruled by the iron fist of The Man of Steel.  How did this come to be?  The main 
story flashes back five years. Clark is married to Lois and she is now pregnant. 
Ever the intrepid reporter she is determined to continue her job over his 
protests. She plans to get the drop on a councilman taking a bribe with Jimmy 
along to get the pictures. Unfortunately this is really a trap set by the master 
villain in this chapter. Superman is distracted by the presence of Batman in his 
city. It seems some Kryptonite was stolen from Star Labs. As Batman investigates 
the scene a frantic Superman arrives announcing Lois's abduction and despite his 
super vision and hearing he cannot find her. This is the catalyst that will 
cause Batman to call in other members of the League. Wonder Woman, the Flash and 
Green Arrow (Hal Jordan) are quick to respond. Through their joint efforts they 
find the Scarecrow, a victim of the Joker's special gas and at the docks Wonder 
Woman gets the truth out of a local thug. The whole thing is a plot by the Joker 
who has stolen a submarine in a twisted plot that involves Lois, the Scarecrow's 
fear toxin, the Kryptonite and a nuclear warhead. This is one of those stories 
that highlight the madness of the Joker and the vulnerability of the world's 
greatest hero. We know from that opening something must have gone seriously 
wrong for Superman to be acting like a dictator. We just didn't know what until 
the last few pages of this issue. This is a tightly scripted plot that moves at 
a steady pace that builds slowly and then races to a horrifying conclusion. The 
art is fantastic as well. Whether or not this is tied into a video game makes no 
difference. It is a fantastic story that should appealed to all DC fans.

Title: INVINCIBLE
Issue Number: 100
Publisher: Image
Creator: Robert Kirkman & Cory Walker
Writer: Robert Kirkman
Artist: Ryan Ottley
Inker: Cliff Rathburn
Colors: John Rauch
Letters: Rus Wooton
Cover Artists:  Various (8 variants)
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Super Hero



I am always interested in landmark issues. I've read a few issues of INVINCIBLE 
and decided to see what Kirkman cooked up for the hundredth issue. It starts off 
in a rather spectacular and gory splash page. It shows Dinosaurus crushing 
Invincible's head flat and then ripping him in half from head to toe, all of 
which is being broadcast live on television. It sure is an unusual start. This 
of course is not the real Mark Grayson. Dinosaurus arranged the whole thing so 
he could swap Mark through a dimensional gate with a perfect clone so that the 
world would think Invincible is dead. Evidently they had been working together 
but the story leading up to this issue led into a major disaster with all the 
coastal cities of the world under water. After Dinosaurus teleports away from 
the gruesome murder we see he really has Mark safely hidden and explains to him 
that now he can operate safely free from all encumbrances. He really believes 
Mark will go along with him, even though his plans to know have ended up in a 
major disaster. Mark wants to fix things, find some way to reverse the effects 
and get the oceans back to normal but Dinosaurus wants to move forward. There is 
a long dialogue between the two and the underlying theme is that the villain of 
the piece always believes he is the hero. Mark is faced with several problems. 
How does he convince or stop Dinosaurus?  How does he make the oceans recede? 
What does he do with his life after all that has happened?  Others are busy 
working on the ocean thing, and they believe Mark is dead. But that still leaves 
the other situations.   Clearly this is one issue at the end of a longer arc and 
it is meant to wrap up a major plot, which it does by the end. And it also 
launches into a couple more moving forward. The art is suitable for the genre 
and the coloring sets the whole thing in just the right tones. This is a well-
produced comic, which deserves to be read more widely than it is in a crowded 
genre.

Title: DOCTOR WHO: PRISONERS OF TIME
Issue Number: 1
Publisher: IDW
Writers: Scott & David Tipton
Artist: Simon Fraser
Colors: Gary Caldwell
Letters: Tom B. Long
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Science Fiction - TV adaptation






The BBC is celebrating 50 years of Dr. Who. The science fiction series has gone 
through a number of lead actors as part of the nature of the character. The 
Doctor is the last of his race. He is a Time Lord from the planet Galifrey. With 
his Tardis that appears on the outside like a London Police call box he can 
traverse through space and time. He usually has human companions he has 
befriended and you never know where he will take them next to show them the 
wonders of the universe. He has the unique ability when near death to regenerate 
a new body, always different from the last - thus the multiple actors that have 
played the part.  For the purposes of this series we begin with the character as 
portrayed by the first actor from 1963 through 1966, William Hartnell. In this 
story he has three companions, Ian, Barbara and Vicki. From the conversation we 
gather that at least one if not all of them are from the twenty-fifth century. 
They have traveled back to 1868 at the Royal College of Surgeons in London. They 
are there to take in a lecture by an old friend of the Doctor, Thomas Huxley, 
the famous biologist and defender of the ideas of Charles Darwin. Naturally it 
would not be Dr. Who without an adventure and sure enough they learn that two of 
Huxley's students have gone missing in the tunnels of the underground railroad. 
The Doctor insists that he and his friends aid in the search and that is the set 
up for what is to come. Before too long they are attacked by giant ants that the 
Doctor and his friends recognize as the Zarbi. The Zarbi's aggressive nature 
surprises the group since they last saw them on the planet Vortis where they 
freed the Zarbi from enslavement. As it turns out the Zarbi are once again being 
controlled by the Animus, a being that resembles a giant jellyfish. Not only 
does it control the Zarbi but also with specially designed collars it plans to 
enslave all of mankind.  This is just the type of predicament you come to expect 
in a Dr. Who story and the methods he and his friends use to defeat the enemies 
they meet are always unique. But is that the end of the story? The last panel 
reveals a new mystery to solve and the opening sequence, which at first seems to 
be homage to the history of the series is actually a foreboding of a more 
sinister enemy lurking in the wings. I have always enjoyed Dr. Who when I've 
seen it on TV. The IDW comics do a great job in both visual depiction of the 
character as well as the essence of his adventures. This title is no exception. 
Perhaps it will feature other versions of the Doctor as it moves forward. It 
matters not though to me. It is not how he looks but how he acts that is so 
appealing. 

Title: MASTERS OF THE UNIVERSE: ORIGIN OF HE-MAN
Issue Number: 1
Title Story: The Beginning
Publisher: DC
Writer: Joshua Hale Fialkov
Artist: Ben Oliver
Colors: Jose Villaruba & Kathryn Layno
Letters: Saida Temofonte
Cover Artist: Ben Oliver
Price (USD): $2.99
Release Date: NOW ON SALE
Genre: Fantasy




DC has taken over the HE-MAN comic franchise and already has run a number of 
mini-series based on the characters. There will soon be an ongoing HE-MAN title 
and so they have published this title on the origin of the lead character. This 
is a pretty simple story that tells of the quest for the Sword of Power once 
owned by King Grayskull himself. The story is told in disjointed fashion. In one 
group of sequences Prince Adam first grasps the sword and turns into He-Man to 
fight the evil Skeletor. In the other sequences we watch the events that led up 
to that point. Skeletor is determined to find the Power Sword and claim his 
dominance of all Eternia. In the dead of night he has entered the castle and all 
but Prince Adam have fallen under his spell. He compels Adam to take him to the 
sword to spare his family. As things go from bad to worse the Prince, rather his 
mind, is transported to the ancient Castle Grayskull by the sorceress whose 
charge was to await the day when a descendent of the king would come to defend 
the kingdom and indeed the world from one of his own blood. Adam is that 
champion and must take up the battle for the sake of all. So both Adam and 
Skeletor are from the bloodline of King Grayskull but their exact relationship 
to each other is only hinted at. This comic is all about setting the stage for 
what is to come. Skeletor's background is not told here but in another comic so 
how he came to look as he does and act as he does is not revealed. This is 
simply about the day that Adam first became He-Man and when he learned why it 
was fated to be. For anyone following all the books and anxiously awaiting for 
the ongoing series this will be a must to buy. By itself it is not all that 
exciting. It is somewhat predictable and has no real conflict resolution. The 
art is not up to par in my opinion. The line work is very jagged in places and 
the coloring is much too dark or blurry or both.  Visually I did not like it and 
am only modestly entertained by the story. Your mileage may vary.

Title: BEFORE WATCHMEN: DOLLAR BILL
Issue Number: One-Shot
Title Story: I Want To Be In Pictures
Publisher: DC
Creator: Moore & Gibbons
Writer: Len Wein
Artist: Steve Rude
Colors: Glen Whitmore
Letters: Steve Rude
Price (USD): $3.99
Release Date: NOW ON SALE
Genre: Super Hero




It is only fair that one of the BEFORE WATCHMEN titles touches on the life of 
Dollar Bill. This one shot does that and more. It is actually the life of 
William Brady, Dollar Bill, from his childhood to his death. He grew up in a 
farming town in Nebraska and his athletic skills got him to Dartmouth College 
where he excelled in sports if not in academics. He planned on a future in the 
NFL but an injury on the field crashed all his hopes for that future. After he 
barely made the grades to graduate he headed for New York and decided he could 
make a living off his looks. He found he was not good enough for Broadway 
either. But following any lead for work brought him to an ad agency planning a 
campaign for National Bank. Some may not have caught it but the names of the 
partners of this agency are Dewey, Cheatem and Howe - a tip of the hat to the 
Three Stooges if ever there was one. Anyway, they are looking for someone to be 
the spokesperson for the bank. The only catch is they will have to wear a super 
hero costume - they will become Dollar Bill. With heroes making the news more 
and more they believe it will be the perfect marketing strategy, and they are 
right. So William becomes Dollar Bill and thus begins his acting career in a way 
he never imagined.  The story takes us through the rising success of the 
campaign and eventually his entry into the Minutemen. He explains to them he is 
not a real crime fighter, just an actor, but Dollar Bill is so well known they 
believe he will help raise the Minutemen's public profile so he is in. I won't 
bother to recap the rest. This is the story of a man who realizes his 
shortcomings and tries to overcome them. He has become a reluctant hero and 
through that experience learns some of the realities of life. This is a 
different kind of hero story. It has a beginning, middle and an end. Those have 
paid attention elsewhere know how the story ends for Dollar Bill. It is not so 
much about the ending, but the journey to get there. The script is very good in 
doing that and the art team handles the chores in fine fashion. It is no the 
most exciting title in the group but it is a satisfying story.

                                    *****
TRIVIA CONTEST!!!!     WIN REAL PRIZES!!!!!

If you think you know the answer to the trivia question send your guess via 
Email to me at ComicBkNet@aol.com
 and you could win the prize. The first six 
correct answers will be assigned a number and a roll of the dice will determine 
the winner. You should put your real name in your message so we know who you 
are. Prizes must be claimed at our store within 30 days of winning. The prize 
will be a $10 credit slip, which will be redeemable for merchandise at regular 
retail or in-store ongoing specials only.  Only one prize per person will be 
allowed per every 4 weeks. I will be the sole judge of the correct answer even 
if more than one answer could be correct. Submit only one answer per Email 
please but guess as often as you like.

Last week's trivia question:
What title from Malibu was purposely solicited for issues that would never be 
published to mask the true end of the run at issue #4?

The title was EXILES from Malibu and the plot from the beginning was to kill off 
all but one member, and thus end the title, with issue #4. The winner by the 
dice is Gregory Goding.

Here was your no prize question:
What was the first a cappella song to reach number one on the Billboard Hot 100 
chart?

"Don't Worry, Be Happy" is a song by musician Bobby McFerrin. Released in 
September 1988, it became the first a cappella song to reach number one on the 
Billboard Hot 100 chart.

THIS WEEK'S TRIVIA QUESTION:
Another Comic Book Character's first words.  Who said:
"But Hank, joining a counter demonstration isn't going to accomplish anything!  
All you're going to do is make trouble."

Here is your no prize question:
Among the major cities in the United States which is the windiest city?

Folks, you never know who among the readers is knowledgeable about the question 
so don't hesitate to send in an answer - even days after it appears.